• Sofia Martins de Sousa, Sem Título
    Sofia Martins de Sousa
    Sem Título
    óleo s/ tela
    45,0 x 38,0 cm
    Assinado, não datado
  • Abel Salazar, "Sem Titulo"
    Abel Salazar
    "Sem Titulo"
    óleo s/ cartão
    32,5 x 20,2 cm
    assinado; não datado
  • António Bronze, Sem Titulo
    António Bronze
    Sem Titulo
    óleo s/ platex
    45,5 x 52,5 cm
    Assinado; não datado
  • Joana Vasconcelos, Aniquilação
    Joana Vasconcelos
    Aniquilação
    técnica mista s/ papel
    59,0 x 70,0 cm
    Assinado e datado.
    Certificado da artista
  • Bernardo Marques, Barcos no Tejo
    Bernardo Marques
    Barcos no Tejo
    técnica mista s/ papel
    29,0x 40,0 cm
    Assinado, Não datado
  • Mário Cesariny, Danger , Do Not Remove
    Mário Cesariny
    Danger , Do Not Remove
    obra tridimensional
    53,5 x 45,0 cm
  • Bernardo Marques, Fonte - Vila Viçosa
    Bernardo Marques
    Fonte - Vila Viçosa
    técnica mista s/ papel
    29,6 x 39,5 cm
    Assinado; não datado
  • David de Koninck, Natureza morta com animais, séc. XVII
    David de Koninck
    Natureza morta com animais, séc. XVII
    óleo s/ tela
    88,0 x 9,2 cm
    Não assinado nem datado
    Atribuido
  • João Vaz, Ave's Port
    João Vaz
    Ave's Port
    oil on wood
    30,0 x 49,0 cm
    signed, undated
  • Marques de Oliveira, Sem Título
    Marques de Oliveira
    Sem Título
    óleo s/ madeira
    31,0 × 45,8 cm
    assinado; não datado
  • José Escada, Sem Título, 1976
    José Escada
    Sem Título, 1976
    técnica mista s/ papel
    15,5 x 9,5 cm
    Assinado e datado
  • José Escada, Sem Título, 1960
    José Escada
    Sem Título, 1960
    óleo s/ tela
    100,0 x 65,0 cm
    Assinado e datado
  • António Quadros, Untitled
    António Quadros
    Untitled
    oil on canvas
    60,0 x 80,0 cm
    unsigned, undated
  • António Quadros, Untitled
    António Quadros
    Untitled
    mixed media on paper
    65,5 x 47,5 cm
    unsigned, dated
  • Alexandre Jean Noel, Sem Título
    Alexandre Jean Noel
    Sem Título
    guache s/papel
    44,0 x 70,0 cm
    Assinado; Não datado
  • Jorge Martins, Untitled, 1961
    Jorge Martins
    Untitled, 1961
    oil on canvas
    95,0 x 145,0 cm
    signed and dated
  • Alfredo Keil, Sem Título - Vista de Falésia com Figura
    Alfredo Keil
    Sem Título - Vista de Falésia com Figura
    óleo s/ tela
    11,5 x 19,5 cm
    Assinado e datado
  • Menez, Untitled
    Menez
    Untitled
    gouache on paper
    27,0 x 51,0 cm
    unsigned and undated
  • Menez, Untitled
    Menez
    Untitled
    gouache on paper
    26,4 x 50,6 cm
    unsigned and undated
  • Artur Loureiro, Sem Título
    Artur Loureiro
    Sem Título
    óleo s/ madeira
    13,0 × 30,0 cm
    assinado; não datado
  • Mário Cesariny, Sem Título
    Mário Cesariny
    Sem Título
    colagem de objetos, marcador e acrílico s/ prova tipográfica colada em tela
    70,0 x 100,0 cm
    Assinado, não datado
    Díptico
  • Mário Cesariny, Sem Título - Linha de Água, 1982
    Mário Cesariny
    Sem Título - Linha de Água, 1982
    acrílico s/ tecido (almofada)
    40,0 x 55,0 cm
    Assinado e datado
  • Bengt Lindstrom, Shaman
    Bengt Lindstrom
    Shaman
    oil on canvas
    65,0 x 54,5 cm
    Signed, undated Certificate
  • Alan Davie, Snake Box nº2 (Opus 829), 1972
    Alan Davie
    Snake Box nº2 (Opus 829), 1972
    mixed media on paper
    56,0 x 76,0 cm
    Signed and dated
  • Miguel Branco, Sem Título, 2015
    Miguel Branco
    Sem Título, 2015
    óleo s/ madeira
    20,0 x 27,0 cm
    assinado e datado
    certificado de autenticidade
  • Miguel Branco, Untitled (on food), 2014
    Miguel Branco
    Untitled (on food), 2014
    mixed media on paper
    15,0 x 26,0 cm
    signed and dated
  • Miguel Branco, Sem Título (Figura), 2015
    Miguel Branco
    Sem Título (Figura), 2015
    grés negro
    53,0 x 20,5 x 18,5cm
    assinado e datado na base
    Certificado de Autenticidade do Artista
  • Miguel Branco, Sem Título (Figura), 2015
    Miguel Branco
    Sem Título (Figura), 2015
    grés negro
    54,0 x 21,5 x 18,5cm
    Assinada e datada na base
    Certificado de Autenticidade do Artista
  • Miguel Branco, Untiteld, 2016
    Miguel Branco
    Untiteld, 2016
    bronze 1/2
    47,0 x 14, 0 x 16,5 cm
    signed and dated
  • Miguel Branco, Sem Título, 2014
    Miguel Branco
    Sem Título, 2014
    grés negro
    19,0 x 25,2 x 26,7cm
    Assinado e datado na base
    Certificado de Autenticidade do Artista
  • Rui Chafes, Espera por mim II, 2007
    Rui Chafes
    Espera por mim II, 2007
    Ferro
    265,0 x 97,0 x 60,0 cm
    Não assinado e não datado
  • Miguel Branco, Sem Título, 2009
    Miguel Branco
    Sem Título, 2009
    bronze patinado
    18 x 49,5 x 20 cm
    assinado e datado
    Certificado de Autenticidade
  • Rui Chafes, Cristal XXIV, 1996
    Rui Chafes
    Cristal XXIV, 1996
    Ferro pintado
    25,0 x 19,0 x 22,0 cm
    Não assinado e não datado
  • Rui Chafes, Crital XXVI, 1998
    Rui Chafes
    Crital XXVI, 1998
    Ferro pintado
    33,0 x 19,0 x 22,5cm
    Não assinado; não datado
  • Jorge Vieira, Maquete para o Monumento à Liberdade, Grandola, c. 1998
    Jorge Vieira
    Maquete para o Monumento à Liberdade, Grandola, c. 1998
    chapa recortada e pintada, base em madeira - secção de tronco
    74 cm
    não assinado nem datado
    Certificado
  • José Escada, Sem Título
    José Escada
    Sem Título
    escultura em folha metálica
    40,0 x 13,13 cm
    Não assinado; não datado
  • Vasco Araújo, "Debret" - Escultura, 2009
    Vasco Araújo
    "Debret" - Escultura, 2009
    mesa e ovo em madeira pintada; figuras em fino pintadas, metal e grafite
    93,0 x 46,0 x 66,0 cm
  • Crucified Christ, China, beginning of the 17th c.
    Crucified Christ, China, beginning of the 17th c.
    Ivory and rosewood cross
    29.0 x 18.0 x 9.0 cm
  • A Sino-Portuguese Ming casket, South China, probably Zhangzhou; 1590–1620
    A Sino-Portuguese Ming casket, South China, probably Zhangzhou; 1590–1620
    ivory; metal fittings
    13.5 × 23.0 × 12.0 cm
  • Escola Chinesa, A Sino-Portuguese Virgin and Child with the Crucification Cross painting, South China, 1770–1800
    Escola Chinesa
    A Sino-Portuguese Virgin and Child with the Crucification Cross painting, South China, 1770–1800
    painting on parchment
    41.0 × 31.2 cm
    não assinado e não datado
  • An Indo-Portuguese Thane dais table, Northern Province of the Portuguese State of India, probably Thane; 1560–1620
    An Indo-Portuguese Thane dais table, Northern Province of the Portuguese State of India, probably Thane; 1560–1620
    teak, ebony, rosewood, sandalwood, ivory, dyed bone, brass and gilt-copper
    50.7 × 65.2 × 46.0 cm
  • An Indo-Portuguese Thane two-door cabinet, Northern Province of the Portuguese State of India, Thane?; 1550–1600
    An Indo-Portuguese Thane two-door cabinet, Northern Province of the Portuguese State of India, Thane?; 1550–1600
    teak, ebony, rosewood, sandalwood, ivory, bone, brass, iron and gilt copper
    49.0 × 36.0 × 35.5 cm
  • Stone balustrade, 18th c.
    Stone balustrade, 18th c.
    Pink lioz
  • Conventual stone mortar, Portugal, 16th c.
    Conventual stone mortar, Portugal, 16th c.
    Hard limestone
    40.0 x 46.0 x 46 cm
  • Holy Water Font, Portugal, 16th c.
    Holy Water Font, Portugal, 16th c.
    Ançã stone
    Height: 90.0 cm ⌀ 61.5 cm
  • A D. João V Portuguese cutlery set and knife box, Portugal, Lisbon, 1745-1750
    A D. João V Portuguese cutlery set and knife box, Portugal, Lisbon, 1745-1750
    gold and steel (cutlery set), wood, velvet, silver mounts and silver-braid trim (knife box)
    43,5 x 27,0 x 18,0 cm (knife box)
    Atribuído a Manuel Roque Ferrão
    Reserved
  • Cutlery Case, Portugal, D. José (1750 - 1777)
    Cutlery Case, Portugal, D. José (1750 - 1777)
    Rosewood
    40.0 x 35.5 x 24.0 cm
  • Salver, Portugal, 17th – 18th century
    Salver, Portugal, 17th – 18th century
    Portuguese Silver
    ⌀ 34 cm Weight: 541 gr
    Oporto assday mark Manuel do Couto de Azevedo Unidentified Makers Mark A /VR Certificate of Authenticity
  • A Madonna and Child Portuguese faiance statue of the 17th century, Lisbon (?), 1630–1640
    A Madonna and Child Portuguese faiance statue of the 17th century, Lisbon (?), 1630–1640
    enamelled faience sculpture
    58.0 × 21.5 × 26.0 cm
  • Escola Portuguesa - Estremadura, Ecce Homo (?); S. Tiago (?), Portugal, Estremadura, 15th c.
    Escola Portuguesa - Estremadura
    Ecce Homo (?); S. Tiago (?), Portugal, Estremadura, 15th c.
    Limestone
    Height: 106.0 cm
  • A King Charles I of England Royal Arms engraved chest, Northern Italy; 2nd quarter of the 17th century
    A King Charles I of England Royal Arms engraved chest, Northern Italy; 2nd quarter of the 17th century
    cypress wood
    60.0 × 163.5 × 58.5 cm
    With the royal coat of arms of England, Ireland and Scotland (arms used between 1603 and 1707); the crowned monogram of two letters C and R indicates Carolus Rex (King Charles) and attests to having belonged to King Charles I of England.
  • Ornamental Frieze of Portuguese Tiles, Portugal, 17th century
    Ornamental Frieze of Portuguese Tiles, Portugal, 17th century
    Portuguese Tile "Azulejo"
    28,0 x 275,0 cm ( x2 )
    28,0 x 200,0 cm (x2 )
    28,0 x 261,0 cm ( x1 )
    28,0 x 217,0 cm (x1 )
    Reserved
  • Dominican apothecary jar, Lisbon, 1660–1680
    Dominican apothecary jar, Lisbon, 1660–1680
    Portuguese faience, ‘baroque band’ decoration
    H.: 19.0 cm
    Ex-colecção A. Olmos, Cascais
  • A two-handled 17th century portuguese faience urn, Lisbon, 1660- 1680
    A two-handled 17th century portuguese faience urn, Lisbon, 1660- 1680
    Portuguese faience
    39.7 × 32.0 × 27.0 cm
  • Portuguese faience plate depicting a crawling lion., Lisbon, 1630-1640
    Portuguese faience plate depicting a crawling lion., Lisbon, 1630-1640
    Portuguese faience
    6 x 37 x 37 cm (Ø 37 cm)
    Sold
  • A Portuguese 17th century faience vase, Lisbon, 1620-1640
    A Portuguese 17th century faience vase, Lisbon, 1620-1640
    portuguese faience
    Height: 34.0 cm
  • Plate of Elaboration "Landscape with Two Deer", Lisbon, 1620-1640
    Plate of Elaboration "Landscape with Two Deer", Lisbon, 1620-1640
    Portuguese faience, "Pré-Aranhões". Lisbon
    ⌀ 41,5 cm
    Ex-colecção inglesa
  • Prato de Grandes Dimensões Armas de Portugal e Aragão, sob Coroa Real portuguesa, Lisboa, 1620 – 1640
    Prato de Grandes Dimensões Armas de Portugal e Aragão, sob Coroa Real portuguesa, Lisboa, 1620 – 1640
    portuguese faience
    ⌀ 30,0 cm
    brasão de armas de Ordem ligada ao culto Isabelino
    Ex-colecção G. Moreira, Coimbra
  • A Landscape with a Nobleman display plate, Lisbon, 1620–1630
    A Landscape with a Nobleman display plate, Lisbon, 1620–1630
    Portuguese faience, Pré-Aranhões decoration
    ⌀ 34.0 cm
    Ex-colecção A. Olmos, Cascais
  • A Portuguese Faïence Display Plate, Lisbon, 1600-1625
    A Portuguese Faïence Display Plate, Lisbon, 1600-1625
    Portuguese faience 'Geometric Decoration'
    ⌀ 37 cm
  • Plate with Mascarenhas and Angûlo coats of arms., Lisbon, 1600–1620
    Plate with Mascarenhas and Angûlo coats of arms., Lisbon, 1600–1620
    portuguese faience, Geometric decoration
    ⌀ 37.3 cm
  • A large Nipo-Portuguese Namban chest, Japan, Tokyo; 1590–1620
    A large Nipo-Portuguese Namban chest, Japan, Tokyo; 1590–1620
    Lacquered wood, gold, MOP and gilt-copper
    57.0 × 92.5 × 50.5 cm
  • A Nipo-Portuguese Namban writing cabinet, Japan, Kyoto; Momoyama period, 1580–1600
    A Nipo-Portuguese Namban writing cabinet, Japan, Kyoto; Momoyama period, 1580–1600
    wood lacquered in black, gold, mother-of-pearl and gilt-copper fittings
    24.5 × 25.0 × 25.5 cm
  • A Trapani Jesuit devotional plaque, Italy, Sicily, Trapani; 1st half of the 17th century
    A Trapani Jesuit devotional plaque, Italy, Sicily, Trapani; 1st half of the 17th century
    gilt copper, mediterranean coral and white enamel
    49.5 × 35.0 × 4.4 cm; 61.5 × 45.0 × 6.0 cm (width with open doors: 76.0 cm)
  • King Edward VII Miniature, Inglaterra, séc. XIX
    King Edward VII Miniature, Inglaterra, séc. XIX
    marfim guache e prata
  • An Indo-Portuguese writing cabinet depicting the Crucifixion, India, Gujarat; ca. 1590–1620
    An Indo-Portuguese writing cabinet depicting the Crucifixion, India, Gujarat; ca. 1590–1620
    teak painted in coloured shellac and gold
    19 x 31.5 x 21.5 cm
  • An Indo-Portuguese Sindh games box, India (present-day Pakistan), probably Thatta; 1580–1620
    An Indo-Portuguese Sindh games box, India (present-day Pakistan), probably Thatta; 1580–1620
    teak, ebony, sandalwood, ivory, sadeli, and brass
    47.0 x 54.0 x 4.0 cm
  • An East Timor figure of Ancestor—Itara, Atauro Island, East Timor; late-19th–early-20th century
    An East Timor figure of Ancestor—Itara, Atauro Island, East Timor; late-19th–early-20th century
    Sandalwood (?)
    25.5 × 5.0 × 6.0 cm
  • An Indo-Portuguese Gujarati drinking bowl (salva), India, Gujarat; 1550–1600
    An Indo-Portuguese Gujarati drinking bowl (salva), India, Gujarat; 1550–1600
    Mother-of-pearl and brass; silver mounts
    Diam.: 29.3 cm
  • Osias Beert "The Elder", A still life from the collection of King Charles I of England, Flanders, Antwerp, 1610 or earlier
    Osias Beert "The Elder"
    A still life from the collection of King Charles I of England, Flanders, Antwerp, 1610 or earlier
    oil on panel
    Dim.: 57.0 × 105.0 cm
    Flanders, Antwerp, seal with coat of arms of the Viscounts of Pedralva, reverse with inscription/monogram? HP CR
  • Lady Figure, Spain (?), 16th c.
    Lady Figure, Spain (?), 16th c.
    Low relief in plaster
    46.0 x 46.0 x 8.5 cm
  • China Trade, Macao—Praia Grande, Chinese School, ca. 1805
    China Trade
    Macao—Praia Grande, Chinese School, ca. 1805
    oil on canvas
    21.0 × 28.5 cm
    unsigned and undated
  • A Dominican Indo-Portuguese Cochin writing cabinet, India, Cochin; 1550–1650
    A Dominican Indo-Portuguese Cochin writing cabinet, India, Cochin; 1550–1650
    teak, ebony, rosewood, and iron; tinned iron fittings
    15.8 × 23.3 × 18.0 cm
  • A Chinese rhinoceros’ horn libation cup, China; 17th–18th century
    A Chinese rhinoceros’ horn libation cup, China; 17th–18th century
    Carved rhinoceros horn
    8.0 × 16.0 × 9.5 cm
  • Steam-Cup, China, Yuan dynasty (1271-1368)
    Steam-Cup, China, Yuan dynasty (1271-1368)
    glazed porcelain
    Ø 17,0 cm
  • A Chinese porcelain ‘Arms of Cruz Sobral Alagoa II’ tureen and stand, Qianlong Reign, ca. 1750
    A Chinese porcelain ‘Arms of Cruz Sobral Alagoa II’ tureen and stand, Qianlong Reign, ca. 1750
    Chinese export porcelain
    31.5 × 40.0 × 29.0 cm (tureen) 40.7 × 30.5 × 3.5 cm (stand)
  • Escola Chinesa, Scene of everyday life in a sìhéyuàn, China (Canton?); 18th century
    Escola Chinesa
    Scene of everyday life in a sìhéyuàn, China (Canton?); 18th century
    Gouache on paper
    95.0 × 143.5 cm
    Não assinado não datado
    conjunto com D1291;D1290;D1289
  • Escola Chinesa, River landscape celebrating Chinese new year, China (Canton?); 18th century
    Escola Chinesa
    River landscape celebrating Chinese new year, China (Canton?); 18th century
    river landscape celebrating Chinese new year
    96.0 × 145.0 cm
    Não assinado; não datado
    conjunto com D1288;D1290;D1291
  • A chinese Ming Dinasty Child Jesus with the Holy Nails, South China, probably Zhangzhou; 1590–1620
    A chinese Ming Dinasty Child Jesus with the Holy Nails, South China, probably Zhangzhou; 1590–1620
    ivory with traces of polychromy and gilding
    8.0 × 3.6 × 2.5 cm
  • A Sinhalese Portuguese Virgin with Child, Ceylon (present-day Sri Lanka), probably Colombo; 1570–1600
    A Sinhalese Portuguese Virgin with Child, Ceylon (present-day Sri Lanka), probably Colombo; 1570–1600
    carved ivory with traces of polychromy
    figure: 24.5 × 7.0 × 5.0 cm, total: 32.5 × 8.5 × 8.5 cm
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