• Alexandre Jean Noel, Sem Título
    Alexandre Jean Noel
    Sem Título
    guache s/papel
    44,0 x 70,0 cm
    Assinado; Não datado
  • Jorge Martins, Untitled, 1961
    Jorge Martins
    Untitled, 1961
    oil on canvas
    95,0 x 145,0 centimeters
    signed and dated
  • Alfredo Keil, Sem Título - Vista de Falésia com Figura
    Alfredo Keil
    Sem Título - Vista de Falésia com Figura
    óleo s/ tela
    11,5 x 19,5 cm
    Assinado e datado
  • Menez, Untitled
    Menez
    Untitled
    gouache on paper
    27,0 x 51,0 cm
    unsigned and undated
  • Menez, Untitled
    Menez
    Untitled
    gouache on paper
    26,4 x 50,6 cm
    unsigned and undated
  • Artur Loureiro, Sem Título
    Artur Loureiro
    Sem Título
    óleo s/ madeira
    13,0 × 30,0 cm
    assinado; não datado
  • Mário Cesariny, Sem Título, 2004
    Mário Cesariny
    Sem Título, 2004
    colagem de objetos, marcador e acrílico s/ prova tipográfica colada em tela
    70,0 x 100,0 cm
    Assinado e datado
    Díptico
  • Mário Cesariny, Untitled - Water line, 1982
    Mário Cesariny
    Untitled - Water line, 1982
    acrylic on fabric (pillow)
    40,0 x 55,0 cm
    Signed and dated
  • Bengt Lindstrom, Shaman
    Bengt Lindstrom
    Shaman
    oil on canvas
    65,0 x 54,5 cm
    Signed, undated Certificate
  • Alan Davie, Snake Box nº2 (Opus 829), 1972
    Alan Davie
    Snake Box nº2 (Opus 829), 1972
    mixed media on paper
    56,0 x 76,0 cm
    Signed and dated
  • Miguel Branco, Sem Título, 2015
    Miguel Branco
    Sem Título, 2015
    óleo s/ madeira
    20,0 x 27,0 cm
    assinado e datado
    certificado de autenticidade
  • Miguel Branco, Untitled (on food), 2014
    Miguel Branco
    Untitled (on food), 2014
    mixed media on paper
    15,0 x 26,0 cm
    signed and dated
  • Miguel Branco, Sem Título (Figura), 2015
    Miguel Branco
    Sem Título (Figura), 2015
    grés negro
    53,0 x 20,5 x 18,5cm
    assinado e datado na base
    Certificado de Autenticidade do Artista
  • Miguel Branco, Sem Título (Figura), 2015
    Miguel Branco
    Sem Título (Figura), 2015
    grés negro
    54,0 x 21,5 x 18,5cm
    Assinada e datada na base
    Certificado de Autenticidade do Artista
  • Miguel Branco, Untiteld, 2016
    Miguel Branco
    Untiteld, 2016
    bronze
    47,0 x 14, 0 x 16,5 cm
    signed and dated
  • Miguel Branco, Sem Título, 2014
    Miguel Branco
    Sem Título, 2014
    grés negro
    19,0 x 25,2 x 26,7cm
    Assinado e datado na base
    Certificado de Autenticidade do Artista
  • Rui Chafes, Wait for me II, 2007
    Rui Chafes
    Wait for me II, 2007
    Iron
    265,0 x 97,0 x 60,0 cm
    Not signed nor dated
  • Miguel Branco, Untitled , 2009
    Miguel Branco
    Untitled , 2009
    patinated bronze
    18 x 49,5 x 20 cm
    Signed and dated. Features an authenticity certificate
  • Rui Chafes, Cristal XXIV, 1996
    Rui Chafes
    Cristal XXIV, 1996
    Ferro pintado
    25,0 x 19,0 x 22,0 cm
    Não assinado e não datado
  • Jorge Vieira, Maquete para o Monumento à Liberdade, Grandola, c. 1998
    Jorge Vieira
    Maquete para o Monumento à Liberdade, Grandola, c. 1998
    chapa recortada e pintada, base em madeira - secção de tronco
    74 cm
    não assinado nem datado
    Certificado
  • José Escada, Untiteld
    José Escada
    Untiteld
    metal sheet sculpture
    40,0 x 13,13 cm
    Not signed nor dated
  • Vasco Araújo, "Debret" - Escultura, 2009
    Vasco Araújo
    "Debret" - Escultura, 2009
    mesa e ovo em madeira pintada; figuras em fino pintadas, metal e grafite
    93,0 x 46,0 x 66,0 cm
  • Crucified Christ, China, beginning of the 17th c.
    Crucified Christ, China, beginning of the 17th c.
    Ivory and rosewood cross
    29.0 x 18.0 x 9.0 cm
  • A Sino-Portuguese Ming casket, South China, probably Zhangzhou; 1590–1620
    A Sino-Portuguese Ming casket, South China, probably Zhangzhou; 1590–1620
    ivory; metal fittings
    13.5 × 23.0 × 12.0 cm
  • Escola Chinesa, A Sino-Portuguese Virgin and Child with the Crucification Cross painting, South China, 1770–1800
    Escola Chinesa
    A Sino-Portuguese Virgin and Child with the Crucification Cross painting, South China, 1770–1800
    painting on parchment
    41.0 × 31.2 cm
    não assinado e não datado
  • An Indo-Portuguese Thane Dais Table, Northern Province of the Portuguese State of India, probably Thane; 1560–1620
    An Indo-Portuguese Thane Dais Table, Northern Province of the Portuguese State of India, probably Thane; 1560–1620
    teak, ebony, rosewood, sandalwood, ivory, dyed bone, brass and gilt-copper
    50.7 × 65.2 × 46.0 cm
  • An Indo-Portuguese Thane two-door cabinet, Northern Province of the Portuguese State of India, Thane?; 1550–1600
    An Indo-Portuguese Thane two-door cabinet, Northern Province of the Portuguese State of India, Thane?; 1550–1600
    teak, ebony, rosewood, sandalwood, ivory, bone, brass, iron and gilt copper
    49.0 × 36.0 × 35.5 cm
  • Stone balustrade, 18th c.
    Stone balustrade, 18th c.
    Pink lioz
  • Conventual stone mortar, Portugal, 16th c.
    Conventual stone mortar, Portugal, 16th c.
    Hard limestone
    40.0 x 46.0 x 46 cm
  • Holy Water Font, Portugal, 16th c.
    Holy Water Font, Portugal, 16th c.
    Ançã stone
    Height: 90.0 cm ⌀ 61.5 cm
  • A D. João V Portuguese cutlery set and knife box, Portugal, Lisbon, 1745-1750
    A D. João V Portuguese cutlery set and knife box, Portugal, Lisbon, 1745-1750
    gold and steel (cutlery set), wood, velvet, silver mounts and silver-braid trim (knife box)
    43,5 x 27,0 x 18,0 cm (knife box)
    Atribuído a Manuel Roque Ferrão
    Reserved
  • Cutlery Case, Portugal, D. José (1750 - 1777)
    Cutlery Case, Portugal, D. José (1750 - 1777)
    Rosewood
    40.0 x 35.5 x 24.0 cm
  • Salver, Portugal, 17th – 18th century
    Salver, Portugal, 17th – 18th century
    Portuguese Silver
    ⌀ 34 cm Weight: 541 gr
    Oporto assday mark Manuel do Couto de Azevedo Unidentified Makers Mark A /VR Certificate of Authenticity
  • A Madonna and Child Portuguese faiance statue of the 17th century, Lisbon (?), 1630–1640
    A Madonna and Child Portuguese faiance statue of the 17th century, Lisbon (?), 1630–1640
    enamelled faience sculpture
    58.0 × 21.5 × 26.0 centimeters
    peça semelhante e com as mesmas dimensões no MNSR, Porto
  • Escola Portuguesa - Estremadura, Ecce Homo (?); S. Tiago (?), Portugal, Estremadura, 15th c.
    Escola Portuguesa - Estremadura
    Ecce Homo (?); S. Tiago (?), Portugal, Estremadura, 15th c.
    Limestone
    Height: 106.0 cm
  • A King Charles I of England Royal Arms engraved chest, Northern Italy; 2nd quarter of the 17th century
    A King Charles I of England Royal Arms engraved chest, Northern Italy; 2nd quarter of the 17th century
    cypress wood
    60.0 × 163.5 × 58.5 cm
    With the royal coat of arms of England, Ireland and Scotland (arms used between 1603 and 1707); the crowned monogram of two letters C and R indicates Carolus Rex (King Charles) and attests to having belonged to King Charles I of England.
  • Dominican apothecary jar, Lisbon, 1660–1680
    Dominican apothecary jar, Lisbon, 1660–1680
    Portuguese faience, ‘baroque band’ decoration
    alt.: 19.0 cm
    Ex-colecção A. Olmos, Cascais
  • A two-handled 17th century portuguese faience urn, Lisbon, 1660- 1680
    A two-handled 17th century portuguese faience urn, Lisbon, 1660- 1680
    Portuguese faience
    39.7 × 32.0 × 27.0 cm
  • A Portuguese 17th century faience vase, Lisbon, 1620-1640
    A Portuguese 17th century faience vase, Lisbon, 1620-1640
    portuguese faience
    Height: 34.0 cm
  • Plate of Elaboration "Landscape with Two Deer", Lisbon, 1620-1640
    Plate of Elaboration "Landscape with Two Deer", Lisbon, 1620-1640
    Portuguese faience, "Pré-Aranhões". Lisbon
    ⌀ 41,5 cm
  • A Landscape with a Nobleman display plate, Lisbon, 1620–1630
    A Landscape with a Nobleman display plate, Lisbon, 1620–1630
    Portuguese faience, Pré-Aranhões decoration
    ⌀ 34.0 cm
    Ex-colecção A. Olmos, Cascais
  • Prato de Grandes Dimensões - Armas de Portugal e Aragão, sob Coroa Real portuguesa, Lisboa, 1620 – 1640
    Prato de Grandes Dimensões - Armas de Portugal e Aragão, sob Coroa Real portuguesa, Lisboa, 1620 – 1640
    portuguese faience
    ⌀ 30,0 cm
    Ordem ligada ao culto Isabelino
    Ex-colecção G. Moreira, Coimbra
  • Plate with Mascarenhas and Angûlo coats of arms., Lisbon, 1600–1620
    Plate with Mascarenhas and Angûlo coats of arms., Lisbon, 1600–1620
    portuguese faience, Geometric decoration
    ⌀ 37.3 cm
  • A Portuguese Faïence Display Plate, Lisbon, 1600-1625
    A Portuguese Faïence Display Plate, Lisbon, 1600-1625
    Portuguese faience 'Geometric Decoration'
    ⌀ 37 cm
  • A large Nipo-Portuguese Namban chest, Japan, Tokyo; 1590–1620
    A large Nipo-Portuguese Namban chest, Japan, Tokyo; 1590–1620
    Lacquered wood, gold, MOP and gilt-copper
    57.0 × 92.5 × 50.5 cm
  • A Nipo-Portuguese Namban writing cabinet, Japan, Kyoto; Momoyama period, 1580–1600
    A Nipo-Portuguese Namban writing cabinet, Japan, Kyoto; Momoyama period, 1580–1600
    wood lacquered in black, gold, mother-of-pearl and gilt-copper fittings
    24.5 × 25.0 × 25.5 cm
  • A Trapani Jesuit devotional plaque, Italy, Sicily, Trapani; 1st half of the 17th century
    A Trapani Jesuit devotional plaque, Italy, Sicily, Trapani; 1st half of the 17th century
    gilt copper, mediterranean coral and white enamel
    49.5 × 35.0 × 4.4 cm; 61.5 × 45.0 × 6.0 cm (width with open doors: 76.0 cm)
  • An Indo-Portuguese writing cabinet depicting the Crucifixion, India, Gujarat; ca. 1590–1620
    An Indo-Portuguese writing cabinet depicting the Crucifixion, India, Gujarat; ca. 1590–1620
    teak painted in coloured shellac and gold
    19 x 31.5 x 21.5 cm
  • An Indo-Portuguese Sindh games box, India (present-day Pakistan), probably Thatta; 1580–1620
    An Indo-Portuguese Sindh games box, India (present-day Pakistan), probably Thatta; 1580–1620
    teak, ebony, sandalwood, ivory, sadeli, and brass
    47.0 x 54.0 x 4.0 cm
  • An East Timor figure of Ancestor—Itara, Atauro Island, East Timor; late-19th–early-20th century
    An East Timor figure of Ancestor—Itara, Atauro Island, East Timor; late-19th–early-20th century
    Sandalwood (?)
    25.5 × 5.0 × 6.0 cm
  • An Indo-Portuguese Gujarati drinking bowl (salva), India, Gujarat; 1550–1600
    An Indo-Portuguese Gujarati drinking bowl (salva), India, Gujarat; 1550–1600
    Mother-of-pearl and brass; silver mounts
    Diam.: 29.3 cm
  • Osias Beert "The Elder", A still life from the collection of King Charles I of England, Flanders, Antwerp, 1610 or earlier
    Osias Beert "The Elder"
    A still life from the collection of King Charles I of England, Flanders, Antwerp, 1610 or earlier
    oil on panel
    Dim.: 57.0 × 105.0 cm (84,0 x 134,0 cm)
    Flanders, Antwerp, seal with coat of arms of the Viscounts of Pedralva, reverse with inscription/monogram? HP CR
  • Lady Figure, Spain (?), 16th c.
    Lady Figure, Spain (?), 16th c.
    Low relief in plaster
    46.0 x 46.0 x 8.5 cm
  • China Trade, Macao—Praia Grande, Chinese School, ca. 1805
    China Trade
    Macao—Praia Grande, Chinese School, ca. 1805
    oil on canvas
    21.0 × 28.5 cm
    unsigned and undated
  • A Dominican Indo-Portuguese Cochin writing cabinet, India, Cochin; 1550–1650
    A Dominican Indo-Portuguese Cochin writing cabinet, India, Cochin; 1550–1650
    teak, ebony, rosewood, and iron; tinned iron fittings
    15.8 × 23.3 × 18.0 cm
  • A Chinese rhinoceros’ horn libation cup, China; 17th–18th century
    A Chinese rhinoceros’ horn libation cup, China; 17th–18th century
    Carved rhinoceros horn
    8.0 × 16.0 × 9.5 cm
  • Steam-Cup, China, Yuan dynasty (1271-1368)
    Steam-Cup, China, Yuan dynasty (1271-1368)
    glazed porcelain
    Ø 17,0 cm
  • A Chinese porcelain ‘Arms of Cruz Sobral Alagoa II’ tureen and stand, Qianlong Reign, ca. 1750
    A Chinese porcelain ‘Arms of Cruz Sobral Alagoa II’ tureen and stand, Qianlong Reign, ca. 1750
    Chinese export porcelain
    31.5 × 40.0 × 29.0 cm (tureen) 40.7 × 30.5 × 3.5 cm (stand)
  • Escola Chinesa, Scene of everyday life in a sìhéyuàn, China, Guangzhou, 18th century
    Escola Chinesa
    Scene of everyday life in a sìhéyuàn, China, Guangzhou, 18th century
    Gouache on paper
    95.0 × 143.5 cm
    Not signed nor dated Forms part of the series of artworks: D1288;D1289;D1290
  • Escola Chinesa, River landscape celebrating Chinese new year, China, Guangzhou, 18th century
    Escola Chinesa
    River landscape celebrating Chinese new year, China, Guangzhou, 18th century
    river landscape celebrating Chinese new year
    96.0 × 145.0 cm
    Not signed nor dated Forms part of the series of artworks: D1288;D1289;D1290
  • A chinese Ming Dinasty Child Jesus with the Holy Nails, South China, probably Zhangzhou; 1590–1620
    A chinese Ming Dinasty Child Jesus with the Holy Nails, South China, probably Zhangzhou; 1590–1620
    ivory with traces of polychromy and gilding
    8.0 × 3.6 × 2.5 cm
  • A Sinhalese Portuguese Crowned Virgin with Child, Ceylon (present-day Sri Lanka), probably Colombo; 1570–1600
    A Sinhalese Portuguese Crowned Virgin with Child, Ceylon (present-day Sri Lanka), probably Colombo; 1570–1600
    carved ivory with traces of polychromy
    figure: 24.5 × 7.0 × 5.0 cm, total: 32.5 × 8.5 × 8.5 cm
  • A Sinhalese Portuguese Child Jesus as The Good Shepherd, Ceylon (present-day Sri Lanka), probably Colombo; 1600–1630
    A Sinhalese Portuguese Child Jesus as The Good Shepherd, Ceylon (present-day Sri Lanka), probably Colombo; 1600–1630
    ivory
    18.5 × 7.0 × 6.0 cm
  • A Sinhalese Portuguese Child Jesus as The Good Shepherd, Ceylon (present-day Sri Lanka), probably Colombo; 1580–1620
    A Sinhalese Portuguese Child Jesus as The Good Shepherd, Ceylon (present-day Sri Lanka), probably Colombo; 1580–1620
    Sinhalese Portuguese Child Jesus as The Good Shepherd
    13.5 × 7.0 × 3.0 cm
  • Escola Chinesa, Cantão, c. 1775-1785
    Escola Chinesa
    Pintura a guache s/ papel
    95 x 143 cm
    não assinado e não datado
  • A Tony Malau—Saint Anthony of Congo, Kingdom of Kongo; 18th century
    A Tony Malau—Saint Anthony of Congo, Kingdom of Kongo; 18th century
    ivory
    Height: 7.8 cm
  • Joana Vasconcelos, Lovers, 2005
    Joana Vasconcelos
    Lovers, 2005
    glazed ceramic and handmade cotton crochet
    48,0 x 58,0 x 30,0 cm
    Signed and dated
  • Costa Pinheiro, Lady Filipa de Lencastre, 1966
    Costa Pinheiro
    Lady Filipa de Lencastre, 1966
    oil on canvas
    150,0 x 109,0 cm
    Signed and dated
  • A Sino-Portuguese rhinoceros’ horn cup, South China, and The Philippines; 1600–1630
    A Sino-Portuguese rhinoceros’ horn cup, South China, and The Philippines; 1600–1630
    Rhinoceros horn and silver filigree
    9.4 × 7.0 × 7.0 cm
  • An Indo-Portuguese Thane tray, Northern Province of the Portuguese State of India, Thane (?); 1560–1620
    An Indo-Portuguese Thane tray, Northern Province of the Portuguese State of India, Thane (?); 1560–1620
    teak, rosewood, sandalwood, ivory, bone, brass and gilt copper
    5.0 × 55.0 × 38.0 cm
  • A two-door Indo-Portuguese cabinet on stand depicting Portuguese noblemen hunting scenes, India, probably Thane; 1560–1630
    A two-door Indo-Portuguese cabinet on stand depicting Portuguese noblemen hunting scenes, India, probably Thane; 1560–1630
    teak, ebony, rosewood, sandalwood, ivory, bone, brass, iron and gilt-copper
    127.0 × 97.0 × 52.2 cm
    Coleção S.F., Porto
  • Ventó Nanban with scenes of the Genji tale, Japan, Momoyama period (1573 - 1603)
    Ventó Nanban with scenes of the Genji tale, Japan, Momoyama period (1573 - 1603)
    Japanese cedar, lacquer, gold and mother of pearl
    33.2 x 28.5 x 44.2 cm
  • An Indo-Portuguese Thane writing box with an ecclesiastical coat of arms, Northern Province of the Portuguese State of India, Thane (?); 1550–1600
    An Indo-Portuguese Thane writing box with an ecclesiastical coat of arms, Northern Province of the Portuguese State of India, Thane (?); 1550–1600
    teak, ebony, rosewood, sandalwood, ivory, bone, brass, iron and gilt-copper
    13.5 × 26.0 × 35.3 cm
  • An Indo-Portuguese Child Jesus as The Good Shepherd, India, Goa; 17th century
    An Indo-Portuguese Child Jesus as The Good Shepherd, India, Goa; 17th century
    ivory
    46.0 × 12.5 × 10.0 cm
    Comandante Vilhena's Collection
  • Escola Espanhola, Saint Peter of Alcântara
    Escola Espanhola
    Saint Peter of Alcântara
    oil on canvas
    208,0 x 128,0 cm
    Not signed nor dated. Possibly Lucas Giordano
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